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China Guardian Newsletter 117 · Spotlight - Asian 20th Century and Contemporary Art
2018-03-06

  是次春拍,「亞洲二十世紀及當代藝術部」呈現(xiàn)逾95件作品,當中,我們循藝術史的角度、融合市場發(fā)展脈絡,特別策劃了兩個專題。其一為「與大師對話」,匯集東西方九位藝術巨擘的精彩作品,以饗藏家。當中以中國四大校長之一的杭州藝專創(chuàng)辦人林風眠為首,呈現(xiàn)其三件來源有序的經典風景、仕女、動物主題代表作。以及蘇州美專校長暨中國寫實主義代表人物——顏文梁完成于1979年,曾代表他參加上?!溉珖噳髱焺游锎笳埂梗瑲鈩萑f千的珍罕動物主題巨制《奔馬》和恬靜光燦的風景創(chuàng)作《幽林》;與關良首次現(xiàn)身市場,體現(xiàn)「大巧以拙」、「油畫民族化」精神的《長耕不輟》、《戲劇人物?挑滑車》;丁衍庸難得一見的珍稀宗教題材、大膽濃烈,富個人情味的雙面畫《交腳菩薩》;旅美華人朱沅芷明媚生動,描繪初春的30年代大尺幅《公園漫步(索邦神學院廣場)》;以及華人抽象大師趙無極完成于1951年,出自瑞士著名藝評家暨出版商賈克梅第(Nesto Jacometti)舊藏的《無題》,與其瑰麗雄奇、氣象萬千,展現(xiàn)豁達人生心緒與深厚東方精神的重磅巨作《25.06.86 桃花源》;及朱德群借古開今,跌宕昂揚的磅礡巨構《構圖第57號》。精彩可期!

  而在西方藝術方面,我們將呈現(xiàn)19世紀寫實主義大家?guī)鞝栘惞P下含情,描繪故鄉(xiāng)動人景致的《生命之泉》、畢費經典的《盛贊芳華》。匯聚東西方藝術大師的創(chuàng)作靈光,展現(xiàn)其獨特的個人風貌與作品間跨時代的對話。

  另一專題,我們聚焦「身體語言」,透過展現(xiàn)跨地域與世代的藝術家如何詮釋人物主題,來勾勒出一轉變中的時代美學及創(chuàng)作者特出的視角。當中涵括藤田嗣治、羅中立、賀慕群、丁雄泉、奈良美智、黃宇興、陳飛、菲律賓藝術家溫度拿等人之作。許多作品均為首次現(xiàn)身市場,為藏家購藏珍品的良機。

This Spring, the Asian 20th Century and Contemporary Art Department will present more than 95 works, divided into two special themes that combine art history and market development. The first one is entitled “A Dialogue with Masters” and brings together exquisite works by nine Eastern and Western masters, presenting collectors with a veritable artistic feast. Of key interest are three classic works by Lin Fengmian, one of the “top four college principals in Chinese history” and founder of Hangzhou Art Academy. There are also two paintings by Yan Wenliang, former principal of Suzhou Art Academy and Chinese realist painter - the imposing and rare animal motif Running Horses which featured at the “Shanghai National Exhibition of Animal Depictions by Chinese Artists” and the tranquil landscape work Forest, both completed in 1979. Two works by Guan Liang will be offered at auction for the first time, namely Landscape and Opera Figures, both exemplary of the artist’s great humility and Chinese-style application of oil painting. Ding Yanyong’s rare double-sided painting Bodhisattva, with its cherished religious motif, is bold, powerful and imbued with personal sentiments. Another attraction is Chinese-American artist Zhu Yuanzhi’s (also known as Yun Gee) bright and vivid portrayal of early spring in Woman and Child Walking in Park (Sorbonne Square, Paris), an imposing work painted in the 1930s. Two other paintings by Chinese abstract master Zao Wou-Ki will be offered. Untitled, which was completed in 1951 and kept for years by his good friend and Swiss publisher Nesto Jacometti, and the magnificent masterpiece 25.06.86, which gives voice to an open-minded view of human emotions and the depth of the Eastern spirit. In contrast, Chu Teh-Chun’s free and high-spirited masterpiece Composition No. 57, uses the past to reflect on the present.

For collectors interested in Western paintings, Roches et Cascade, a moving hometown scene by 19th-Century realist painter Gustave Courbet, together with Zinnias Bouquet by Bernard Buffet will be offered. These works highlight the artistic inspirations that moved Eastern and Western painters alike, while showcasing the unique styles of individual artists and the dialogue between works from different eras.

The second special theme is “Body Language”. By showcasing how artists from different places and times interpret human figures, this curated session highlights the changing aesthetics and focus on the unique perspective of each artist. This is a dialogue informed by the works of Tsuguharu Foujita, Luo Zhongli, Hoo Mojoo, Walassse Ting, Yoshitomo Nara, Huang Yuxing, Chen Fei and Philippine artist Ronald Ventura. Many of these works have never appeared at auction, making this a perfect opportunity for art collectors to add new treasures to their collections.

嘉德通訊117期·焦點 亞洲二十世紀及當代藝術

趙無極(1920-2013)

25.06.86桃花源

1986年作

油彩 畫布

Zao Wou-Ki

25.06.86

Painted in 1986

Oil on canvas

195 × 130 cm.

嘉德通訊117期·焦點 亞洲二十世紀及當代藝術

朱德群(1920-2014)

構圖第五十七號

1960年作

油彩 畫布

Chu Teh-Chun

Composition No.57

Painted in 1960

Oil on canvas

127 × 96 cm.

嘉德通訊117期·焦點 亞洲二十世紀及當代藝術

林風眠(1900-1991)

照鏡仕女

1965年作

彩墨 紙本

Lin Fengmian

Lady with Mirror

Painted in 1965

Ink and colour on paper

68.5 × 68.5 cm.

嘉德通訊117期·焦點 亞洲二十世紀及當代藝術

居斯塔夫·庫爾貝(1819-1877)

生命之泉

1866年作

油彩 畫布

Gustave Courbet

Roches et Cascade

Painted in 1866

Oil on canvas

63.5 × 44.5 cm.

嘉德通訊117期·焦點 亞洲二十世紀及當代藝術

奈良美智(b.1959)

當你所言對我已無意義

1995年作

壓克力彩 畫布

Yoshitomo Nara

This is How it Feels When Your Words Means Nothing at All

Painted in 1995

Acrylic on canvas

51 × 40 cm.

嘉德通訊117期·焦點 亞洲二十世紀及當代藝術

周春芽(b.1955)

卡恩和喜兒

2007年作

油彩 畫布

Zhou Chunya

Kahn and Xi'er

Painted in 2007

Oil on canvas

149 × 120 cm.

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